OLIVIER MOSSET, Untitled, 1998 [dollar sign]

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OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 900,- plus € 32,- Track & Trace registered mail

 

History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016

JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972

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JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm
2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging
very rare
€ 595,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr

 

Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.

Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.

 

BARBARA KRUGER, Business as usual, 2018 [metal pin]

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BARBARA KRUGER, Business as usual, 2018
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
mint
published by Printed Matter, New York, USA
€ 125,- plus € 15,- Track & Trace registered EU mail
inv.BKrug 000-pr

This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.-

History of prices:
eBay-Glamzillagod, Brooklyn, New York, USA March 2025 US$ 125.-
eBay-hotelmarquetteprints, Cleveland, Ohio, USA March 2021 $ 175.-
Printed Matter, New York, USA March 2020 US$ 60.-

PIPILOTTI RIST, Pepperminta, 2005 [box with printed matter]

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PIPILOTTI RIST, Pepperminta, 2005
25 x 18,7 x 2,8 cm
cardboard box, linen bound
17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864

 

This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert.

 

BARBARA KRUGER, Untitled (Kiss), 2019 [Artek stool, stamp signed]

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BARBARA KRUGER, Untitled (Kiss), 2019
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
p.o.r.
inv.BKrug 836

 

A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020.

 

 

History of prices:
Bellhams Auctioneers & Valuers, Billinghurst, UK 19 November 2025 € 679,- (hammer price)
Phillips, London, UK 24 October 2025 € 743,- (hammer price)
Phillips, London, UK 23 September 2025 € 1.030,- (hammer price)
Milea Bros Ltd, Boonton NJ, USA 14 February 2025 US$ 1,000.- (hammer price)
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
K&K Auktionen, Heidelberg, Germany 8 November 2024 € 1.300,- (hammer price)
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600.- 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019

 

WJM KOK, Off Color (Crimson), 2019

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WJM KOK, Off Color (Crimson), 2019
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace


When ordered, colour may differ from the colour shown above.

 

Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness.

In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making.

ANITA DI BIANCO, Corrections and Clarifications, 2001-2019

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ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist

Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page.
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’

DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019 [multiple]

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DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-pr

 

“Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago.

“These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..”

From the liner-notes by Dorothy Iannone, November 2017

SALIM BAYRI, Sad Ali, 2017 [small version]

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SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-

 

Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’

Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal

GILBERT & GEORGE, As used by the sculptors, 1973 [signed postcard]

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GandG-glas-postcard_signed500

GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France
rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000

 

The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.

Signature in detail:
GandG-glas-postcard_signed-closeup500

DADI GUDBJÖRNSSON, The Book of Birds and Bees, 1984 [artist book, 23 original lithographs]

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DADI GUDBJORNSSON, The Book of Birds and Bees, 1984
23,4 x 26,9 cm
SC, 23 pp., stapled, original lithographs
untrimmed
edition 25, numbered, here 17/25
condition: cover discoloured
rare
published by the artist
€ 285,- plus € 18,- Track & Trace registered EU mail
inv.DGu 000-pr

It is not known whether this edition was fully completed. With a biro pen trim lines are left on the cover at the front and back side.


p.1


p.6: “Angry young girl”


p. 23: “The world is two drinks behind”

HREINN FRIDFINNSSON, Journey pictures, 1998 [series of air flight luggage labels]

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HREINN FRIDFINNSSON, Journey pictures, nrs 13-14, 1998
each 14 x 9 cm
pair of luggage labels, framed
signed, dated
inv.HF 000-pr

In 1998 Hreinn Fridfinnsson showed works in the back space of Galerie van Gelder, called AP (Associated Publishers). This second solo exhibition at GvG was called “Collection” referring to the various new works he brought in. For the occasion he changed the gallery’s name into Galerie van Gelder/Another Place, the latter being also the title of a new photo work of an Icelandic landscape by night.
“Journey pictures” were installed in AP by the artist. They come in sets of two (his own luggage labels) and represent, as a pair, a return flight. At the time, Hreinn Fridfinnsson told me that he found it amusing and typical that, as a passenger, you were reduced to a row of stripes.

SEF PEETERS, Portrait, 1975 [artist’s book, signed]

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SEF PEETERS, Portrait, 1975
16 x 19,3 cm
hand written text: “unlimited edition ’76”
screen printed couver, 2 glued-in photos, ink stamped
signed, dated
uncommon
published by the artist
€ 165,- plus € 12,- Track & Trace registered EU mail
inv.SPe 1055-pr

Sef Peeter’s self-portraits from the mid-1970s often explore identity, text-based dualities, and the friction between the human psyche and spiritual or linguistic symbols, e.g., God versus Devil.

The Situationist Times, nr. 6, 1967 [magazine, Jacqueline de Jong]

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The Situationist Times, nr. 6, 1967
27,4 x 21,5 cm
edition 2000 + 500 HC
litho prints from 33 artists
inlay as colophon
pristine
published by Jacqueline de Jong, Paris, France
€ 395,- plus € 12,- Track & Trace registered EU mail
inv.TST 000-pr

The Situationist Times, no 6 is a compilation of 32 original lithographies printed in four colours. Participating Jan Voss, Jack Vanarsky, Topor, René Bertholo, Guido Blasi, Samuel Buri, Lourdes Castro, Maurice Henry, Martin Engelman, José Gamarra, Klaus Geissler, Theo Gerber, Reinhoud d’Haese, Hannelore, Peter Klasen, Jacqueline de Jong, Mariano Hernandez, Wifredo Lam, Yasse Tabuchi, Paul de Lussanet, Milvia Maglione, Christina Martinez, Roberto Matta, Lucio del Pezzo, Hannes Postma, Lea Lublin, Alejandro Marcos, Antonio Segui, Antonio Saura, Pierre Alechinsky, Asger Jorn, Arne Haugen-Soerensen and couver on the back is the 33rd lithograph at the back is of Ulf Trotzig.

History of prices:
Concept Books, Veldhoven, Netherlands June 2026 US$ 478.-
Antiquariat CoBrA, Oberrohrbach, Germany June 2026 US$ 735.-
p015, Rotterdam, Netherlands June 2026 US$ 358.- (poor)

WALTER VAN BEIRENDONCK, Wonder News, issue number 1, 1998 [magazine, fashion]

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WALTER VAN BEIRENDONCK, Wonder News, issue number 1, 1998
29,7 x 21 cm (unfolded 29,7 x 105 cm)
4x fold print, business card, 4 slides in sleeve, 2 A4 papers
8 parts
condition pristine
extremely rare
published by Walter van Beirendonck, Antwerp, Belgium
€ 320,- plus € 12,- Track & Trace registered EU mail
inv.WvB 000-pr

The Situationist Times, nr. 4 (1963), nr. 5 (1964) and nr. 6 (1967)

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The Situationist Times, nr. 4 (1963), nr. 5 (1964) and nr. 6 (1967)
many signatures in print, dated
edition successively 2000, 1600 and 2000 + 500 HC
condition: excellent, aged, nr. 6 (incl. inlay as colophon) is pristine
including numurous lithographs by Corneille, Karel Appel, Constant Jan Nieuwenhuys, a.o.
inv.Refl 000-pr

On 16 July 1948 the Experimentele Groep was founded by Karel Appel, Corneille, Theo Wolvecamp, Constant, Jan Nieuwehuys, Anton Rooskens and Eugene Brands. Later on this group became known as the Dutch hard core of the international Cobra movement. The artists closely co-operated with experimental groups a.o. from Paris, Copenhagen, Brussels.



Asger Jorn introduced Jacqueline de Jong to Gruppe Spur, the German branch of the radical left-wing movement Situationist International. After Guy Debord expelled her from the movement in 1962, she founded her own magazine: The Situationist Times. The publication followed the critical principles that formed the basis of the Situationist International.

In The Situationist Times nr 1 Constant wrote a manifest explaining the goals of the Experimentele Groep in The Netherlands.

The Situationist Times, Nr 6:

Colophon inlay: